The film – originally to be set in Miami but now moving to Sydney Australia and under strict COVID safety guidelines – will find Crowe playing a tech billionaire who is caught up in a high stakes gamble. It's all change behind the camera as Crowe will now take over calling the shots while also still starring. One thing is clear from Saturday’s performance, and the local crowd’s reaction: Crowe loves Rome and Rome really loves Crowe.Back in May, we learned that Russell Crowe was on board to star in a new thriller called Poker Face, with Gary Fleder directing.
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Those stories are only being made as TV series.” The middle slice, a film like A Beautiful Mind, is missing. There is no middle ground anymore: Today, you go from huge budget films to low-budget films. While there’s nostalgia for the past, you have to come to terms with change. There, you’re in huge green spaces that get filled with scenery in post production. “Over the years, I got to be in Marvel movies. I realized it would be the last time I would be on a set like that,” he recalls. It was a huge set with lots of construction and a massive physical presence. “It’s something I experienced on the set of Robin Hood in 2010. Through his 30-year career in the film industry - as an actor he has worked with such great directors as Ron Howard, Michael Mann, Peter Weir, and Zack Snyder - as well as, of course, Ridley Scott (on Gladiator, Robin Hood, A Good Year, etc.), Crowe has lived through a transformation in the film industry. As for me, I believe that a prolonged strike or long negotiations between the producers and studios would not lead to a better situation, but a worse one.” But unfortunately, when there is so much money at stake, the situation is not ideal. The writers’ and actors’ unions along with the producers are pushing to try to find a solution.”Ĭrowe, however, does not seem particularly optimistic: “You would think that maybe, since they are adults, they would take mature considerations. We are at an extremely important and dangerous turning point. “If we let it take over, the creativity of the human mind will be lost and our lives will all be much poorer….
“I think artificial intelligence is a threat to creativity,” says Crowe, lighting on a key topic of the strike.
Today might be all about the music for Crowe but one question about the Hollywood writers’ strike and the Oscar-winning actor is off. THR Roma got a few moments with Crowe before soundcheck, at Cinecittà’s Fellini Hall, together with Fabia Bettini and Gianluca Giannelli, directors of the parallel section of Rome’s Alice in the City film festival and organisers of today’s event, as well as Cinecittà managing director Nicola Maccanico.
“Let your light shine,” Crowe sings, lit by the glow of all those smartphones. The seats of the Teatro Antico at Cinecittà Studios empty out and a crush of people pack up against the stage, dancing and holding their cellphones aloft, recording the moment. Launching into a new number, Crowe calls the audience to come down from the bleachers and they comply. He jokes his bandmate Lennie Loftin “tends to write songs where someone dies in the middle” and introduces a performance by his teenage son Charlie noting that “when I did Gladiator he wasn’t alive yet.” Crowe’s between-song banter is a mix of English and Italian and his band’s set is a mash up of music genres, a bit of folk, some rock, a dash of country. Watching him from the bleachers is Gabriele Muccino, Crowe’s close friend, who directed him in Fathers and Daughters, as well as the Mayor of Rome, Roberto Gualtieri. Where to Buy Taylor Swift's 'Speak Now (Taylor's Version)' Collector's Edition and More Official Merch Onlineĭressed all in black - like the rest of the band - Crowe immediately launched a few blues-flavored tunes, filling the stage as a singer with the same ease and charm he has as an actor on stage.
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